Cotton and Silk Weaving of Assam

Textiles, Weaving, Spinning, Khadi

Cotton and Silk Weaving of Assam

Assam comprises of both tribal and non-tribal populations. The Assamese tribes include the Boro-Kachari, Mishing, Mech, Lalung, Chutiya, Dimasa Cachari, and Karbi Anglong. Just as the bamboo craft was once a male domain in Assam, textiles were exclusively a female occupation. This pattern is still followed, in many parts of Assam. For domestic consumption a throw-shuttle loom is used in the non-tribal lowlands. Commercial weaving is done on fly-shuttle looms with the aid of a jacquard device.

Hand-woven fabrics from Assam are in cotton, muga and pat (mulberry silk), and eri (endi). Muga has a natural golden sheen; eri is a mildly warm silk, particularly suitable for winter. Muga silk was once used together with zari to weave fabrics for royalty, but today the zari has been replaced by multicoloured cotton threads. Cotton decorative textiles include bedspreads, furnishing material, mekhala, chaddars, shawls, and saris. The lasingphee produced by weavers of Cachar district is extraordinarily warm and soft. It is woven by using colourful staple yarn as warp, with cotton or bamboo inserted between the wefts for warmth.
Assamese weavers produce beautiful designs on the borders of their mekhlas, chaddars, rihas (traditional garments used by the women), and gamosas (towels). Designs are mostly stylised symbols of animals, human figures, flowers, birds, diamonds, cross borders, and the galaxy. The designs in Assam, as in other parts of India, are symbolic of the different tribes and ethnic groups of the area.

Rajampai aareu is a tribal fabric from Assam on which the tribal designs are done in striking colours. Women weavers work from a graph of small designs. Kumbung, which means chaddar in the Rabha language, is a traditional Rabha dress. This is used, by the Rabha women, like a shawl, draped over the shoulder as an accessory to the sarong or kocha lufung. The designs are geometric, mainly squares, embellished with floral tracery in between coloured strips. It is woven on a loin-loom with traditional colours. The traditional Rabha muffler is woven on fly- shuttle looms with traditional colours. Rabha designs are noted for exceptionally fine patterns.

The Bodo tribes of Assam are from the plains and their women wear a traditional dhakana, a fabric wrapped around the body with only the shoulders exposed. The dhakana is very much like a sari and has a border running along its edges.
It is customary in Assamese society for a young woman to make a present of a self-woven bihuan (gamosa or towel) to her beloved as a token of love, and to elders as a symbol of respect, on Bohag Bihu (New Year’s Eve). These towels are white with patterns at both ends with stylised forms of birds, animals, humans, flowers, foliage, and geometric motifs. The Assamese men carry this gamosa, which is woven in fine cotton in plain weave.

The tribal mirijim work is commonly done on blankets, mattresses, and floor coverings in honour of guests and visiting dignitaries. The work done by the women of the Miri tribal community is known for its great beauty, excellence of traditional designs and durability.

Assam is the home of several types of silks, the most prominent and prestigious being muga, the golden silk found exclusively in this state. Muga apart, there is pat and eri or endi, the latter being used in manufacture of warm clothes for winter. The silk commonly found in Assam is non-mulberry silk. Pat which is mulberry silk is found in small quantities. Endi is yellowish in colour and is found in rough and smooth varieties; it derives its name from the castor leaves on which the worm feeds. This is woven, into shawls and clothing for the winter.

There are two types of muga silk, depending on the leaves the worms feed upon: champa adakari and mejamkari. Muga silk has a golden sheen and is in high demand all over India for embroidery purposes. It grows more lustrous with each wash. This was used, together with zari, to weave fabrics for royalty. Today, the zari has been replaced by multicoloured cotton threads. The designs woven into these fabrics are drawn from the flora of Assam and, as in other parts of India, are symbolic of the different tribes and ethnic groups of the area.

The main centre in Assam for silk-weaving is Sualkuchi. The texture is delicate, with dainty designs and natural colours. The main dress of the women here is the lungi called mekhela. This is usually plain but sometimes has motifs all over its body and can have elaborately designed ends. The other items of clothing include the chaddar, which goes over the shoulder, and the riha, which is tied to the waist. The motifs are usually flowers, birds, animals, leaves, and geometrical designs. One speciality of this region is the bamboo weft designs, eight in number, which are used as variations in weaving patterns.


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