Zari/Zardozi/Metallic Thread Embroidery of Delhi


Zari/Zardozi/Metallic Thread Embroidery of Delhi

Different styles of Indian embroidery have been handed down from generation to generation: zardozi, chikankari, sujuni, kantha, kasuti, toda, mirror work. The passion for embroidery in India has led to great experimentation in the field, with several styles, creating dazzling effects such as the ‘stained glass’ look, the long cross stitch, rice stitch, textured panels and much more. One can see embroidery on wall hangings, saris, textiles and garments, incorporating unique motifs and patterns.

Zardozi is one of the most beautiful embroidery styles of India. Of Persian origin the word Zardozi literally means gold-work as it describes the use of gold, silver metal wires, cords, purls and sequins, which are couched  through hand sewing on to textiles. Brought to India by the Mughals it was used by court and aristocracy to make up garments, wall hangings, royal tents and the trappings of the elephants and horses used by the emperor.

 Zardozi continues to be used extensively in clothing and home decoration in India and for export. Painstakingly and delicately done by hand on the Karchappa  floor frame, creations in zardozi work are timeless. Two forms of Zardozi continue to be practiced – the zardosa where the work is elaborate, intricate and heavy done on expensive and heavy weight silk, velvet or satin; and the lighter kamdani which can be done on light-weight fabrics. With huge demand and the necessity for speed the needle has been replaced in the couching by the ari hooked needle.

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